Film & TV / IP development
I work on early-stage film, television, and IP-driven projects — especially where story, rights, partners, financing logic, and international potential need to be shaped before production begins.
Strategic Production · TV / Film · Music
I work across film, music, and international entertainment development.
In practice, that means developing projects, partnerships, formats, and production structures — from early-stage ideas to the conditions that make them possible.
My background is in developing artists, records, content, image, networks, and deals. That is where I learned how creative work is shaped in real rooms: between talent, teams, partners, institutions, business interests, and the sensitive development of the idea itself.
My work starts where creative instinct, industry logic, and real-world constraints meet.
HBO Series
Two Sides of the Abyss
ARD
Der Masurenkrimi
YES Studios
Taagad (Combat Medics) — Theme Song
What I do
I develop and connect projects across film, television, music, and international entertainment.
The work often starts before production begins: understanding what the project really is, who needs to be in the room, what structure can carry it, what market it speaks to, and what kind of trust it requires.
Film & TV / IP development
I work on early-stage film, television, and IP-driven projects — especially where story, rights, partners, financing logic, and international potential need to be shaped before production begins.
Music-led entertainment formats
I develop music-driven ideas that can live beyond the traditional concert, record, or documentary — projects that combine artists, performance, culture, audience, and export potential.
Cross-border production structures
I work with partners across Germany, Israel, and international markets to build projects that need more than translation. They need trust, structure, timing, and a clear reason to exist.
Selected soundtrack & music work
I continue to take on soundtrack and music work, and I am always open to the right projects. Music remains the foundation of how I think — when a film, series, or production has the emotional and cinematic weight, I want to be in the room.
Background
For more than twenty years I have worked inside music and film — composing, producing records, building acts, scoring television, and collaborating with artists, directors, broadcasters, and production teams.
That work always required more than taste. It required understanding what a project actually needs, how people work under pressure, how decisions are made, and how creative ideas survive deadlines, budgets, ego, fear, and real-world constraints.
Today I use that experience earlier in the process: development, partnerships, formats, financing logic, production structures, and the strategic work around projects before they fully exist.
Born in Baku. Raised in Israel. Based in Berlin.
Film & TV scoring
Two Sides of the Abyss · Der Masurenkrimi · Taagad · The Star of Avihu
Music production
Avihu Pinhasov Rhythm Club · Platinum · No.1 Galgalatz · Afrikan Boy · Ali Hassan Kuban
Development & strategy
FutureNarrative Fund · Mosaik GCB · German-Israeli co-productions · Scoring Lab
Current direction
My current work moves between creative development, artistic direction, production strategy, partnerships, and financing logic. I develop film and television projects, music-led formats, and co-production structures — especially where the idea needs to be shaped before it can be produced.
I co-founded Future Narrative, a German-Israeli initiative for film, television, theatre, and cultural production. I also founded Mosaik GCB, a Berlin-based nonprofit focused on cultural work, audience reach, and social impact. Alongside that, I am developing projects with production partners, rights holders, funds, and creative teams.
The current slate as a producer includes dramedy, thriller, documentary, and animation — developed with leading industry partners. Several projects will be announced soon. More to share shortly.
Film music preview
Cinematic music — playlist
Popular music — playlist
Film & television
Jojo and Simha: Exploring Berlin
Der Masurenkrimi 9 & 10
Der Masurenkrimi 7 & 8
Two Sides of the Abyss
Der Masurenkrimi 5 & 6
Der Masurenkrimi 3 & 4
Der Masurenkrimi 1 & 2
The Star of Avihu
The Next Star Eurovision
Taagad (Combat Medics)
Scoring Lab
Music, records & audio-visual work
Avihu Pinhasov's Rhythm Club
Berlin Science Week
Weltivale — Wednesday Raag
FC Maccabi Haifa
Six Feet Palace
Daimler Talk
Jonah
Afrikan Boy
Ali Hassan Kuban
A-WA
Initiatives & platforms
Future Narrative
Mosaik GCB
Goethe-Institut
Pop-Kultur
Zera Institute
“The work is to find the real engine of the project, then build the right structure around it.”
Sometimes that means the music. Sometimes the partners. Sometimes the financing. Sometimes knowing what not to say yet.
Contact
I am based in Berlin and work internationally.
info@markpinhasov.com