Strategic Production · TV / Film · Music

Mark
Pinhasov

I work across film, music, and international entertainment development.

In practice, that means developing projects, partnerships, formats, and production structures — from early-stage ideas to the conditions that make them possible.

My background is in developing artists, records, content, image, networks, and deals. That is where I learned how creative work is shaped in real rooms: between talent, teams, partners, institutions, business interests, and the sensitive development of the idea itself.

My work starts where creative instinct, industry logic, and real-world constraints meet.

Mark Pinhasov
As seen in The Hollywood Reporter · The Guardian · Süddeutsche Zeitung · Die Welt · South China Morning Post · Jüdische Allgemeine

HBO Series

Two Sides of the Abyss

HBO / Warner TV / RTL · Dir. Anno Saul · Title track & original score

ARD

Der Masurenkrimi

ARD · Films 1–10 · Original score

YouTube Series

Scoring Lab

15 episodes on film scoring and creativity · White Camel

Watch on YouTube ↗

YES Studios

Taagad (Combat Medics) — Theme Song

Dir. Zion Rubin

What I do

I develop and connect projects across film, television, music, and international entertainment.

The work often starts before production begins: understanding what the project really is, who needs to be in the room, what structure can carry it, what market it speaks to, and what kind of trust it requires.

Film & TV / IP development

I work on early-stage film, television, and IP-driven projects — especially where story, rights, partners, financing logic, and international potential need to be shaped before production begins.

Music-led entertainment formats

I develop music-driven ideas that can live beyond the traditional concert, record, or documentary — projects that combine artists, performance, culture, audience, and export potential.

Cross-border production structures

I work with partners across Germany, Israel, and international markets to build projects that need more than translation. They need trust, structure, timing, and a clear reason to exist.

Selected soundtrack & music work

I continue to take on soundtrack and music work, and I am always open to the right projects. Music remains the foundation of how I think — when a film, series, or production has the emotional and cinematic weight, I want to be in the room.

Film & television development
Music-led formats
Strategic production
Cross-border collaborations
German-Israeli entertainment projects
IP and rights-driven development
Artist and format development
Original music and soundtrack work
Production partnerships
Cultural and industry infrastructure

Background

I learned production from the inside.

For more than twenty years I have worked inside music and film — composing, producing records, building acts, scoring television, and collaborating with artists, directors, broadcasters, and production teams.

That work always required more than taste. It required understanding what a project actually needs, how people work under pressure, how decisions are made, and how creative ideas survive deadlines, budgets, ego, fear, and real-world constraints.

Today I use that experience earlier in the process: development, partnerships, formats, financing logic, production structures, and the strategic work around projects before they fully exist.

Born in Baku. Raised in Israel. Based in Berlin.

Film & TV scoring

Two Sides of the Abyss · Der Masurenkrimi · Taagad · The Star of Avihu

Music production

Avihu Pinhasov Rhythm Club · Platinum · No.1 Galgalatz · Afrikan Boy · Ali Hassan Kuban

Development & strategy

FutureNarrative Fund · Mosaik GCB · German-Israeli co-productions · Scoring Lab

Current direction

Earlier in the process.

My current work moves between creative development, artistic direction, production strategy, partnerships, and financing logic. I develop film and television projects, music-led formats, and co-production structures — especially where the idea needs to be shaped before it can be produced.

I co-founded Future Narrative, a German-Israeli initiative for film, television, theatre, and cultural production. I also founded Mosaik GCB, a Berlin-based nonprofit focused on cultural work, audience reach, and social impact. Alongside that, I am developing projects with production partners, rights holders, funds, and creative teams.

The current slate as a producer includes dramedy, thriller, documentary, and animation — developed with leading industry partners. Several projects will be announced soon. More to share shortly.

Film music preview

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Cinematic music — playlist

Popular music — playlist

Selected works collage Selected works collage

Film & television

Jojo and Simha: Exploring Berlin

Online animation series · Producer / co-producer / composer · Mosaik GCB · 2026

Der Masurenkrimi 9 & 10

ARD · Dir. Nils Willbrandt · 2026

Der Masurenkrimi 7 & 8

ARD · Dir. Nicolai Rohde · 2024

Two Sides of the Abyss

HBO / Warner TV / RTL · Dir. Anno Saul · Original score · 2023

Der Masurenkrimi 5 & 6

ARD · Dir. Frauke Thielecke · 2023

Der Masurenkrimi 3 & 4

ARD · Dir. Sven Taddicken · 2022

Der Masurenkrimi 1 & 2

ARD · Dir. Anno Saul · Original score · 2021 · Listen ↗ · Watch ↗

The Star of Avihu

Satirical TV series · Channel 5 · 2020

The Next Star Eurovision

Four songs · Keshet Media Group / Channel 2 · 2020 · Watch ↗

Taagad (Combat Medics)

TV Series · Dir. Zion Rubin · Co-wrote & produced theme song · YES TV · 2016 · Watch ↗

Scoring Lab

15-episode YouTube series on film scoring · White Camel · 2021 · Watch ↗

Music, records & audio-visual work

Avihu Pinhasov's Rhythm Club

Co-founder & producer · Platinum records · No. 1 Galgalatz · 2015–2024 · Listen ↗

Berlin Science Week

Live audiovisual performance · With ensemble · 2025

Weltivale — Wednesday Raag

Live ambient concert · Church performance with Ensemble Flensburg · 2024

FC Maccabi Haifa

Official championship song · 2021 · Watch ↗

Six Feet Palace

Immersive audio-visual experience · With Cosimo Miorelli and Claudia Eisinger · Radialsystem Berlin · 2021 · Watch ↗

Daimler Talk

Applied ambient music and neuroscience · Sound as a functional tool for cognition · 2020

Jonah

Live storytelling and painting concert · With Cosimo Miorelli · 2020 · Watch ↗

marchissio ↗

Solo project · uwaL and other albums · White Camel Records · 2016–2019 · Listen ↗

Afrikan Boy

Singles · YAM / White Camel Records · 2018–2019 · Listen ↗

Ali Hassan Kuban

Re-release · Piranha Records · 2019 · Listen ↗

A-WA

Guitar · European tour · 2017 · Watch ↗

Initiatives & platforms

Future Narrative

Co-founder · German-Israeli initiative for film, television, theatre, and cultural production · Launched Berlinale 2026

Mosaik GCB

Founder · Berlin-based nonprofit for cultural work, audience reach, and social impact · mosaik-gcb.org

Goethe-Institut

Goethe Talents mentorship programme · 2018–2019

Pop-Kultur

Lecture on creativity, intuition, and decision-making · 2019

Zera Institute

Co-founder · Media and cultural policies

“The work is to find the real engine of the project, then build the right structure around it.”

Sometimes that means the music. Sometimes the partners. Sometimes the financing. Sometimes knowing what not to say yet.

Film music, record production, and studio work produced at White Camel — my Berlin-based studio and film music facility.

whitecamel.co ↗

Contact

For development, production, partnerships, and selected music work.

I am based in Berlin and work internationally.

info@markpinhasov.com
Mark Pinhasov